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In The Solitude of Cotton Fields
From the Press
“Together with the Lithuanian actress Ingeborga Dapkunaité (61), the Hollywood star embodies an encounter between two people in the twilight in the play by the French playwright Bernard-Marie Koltès (1948-1989). With a strong emphasis on the body, both negotiate topics such as desire and guilt, seducing and being seduced, buying and selling in a threatening, mysterious atmosphere.”
— Dino Schröder, bild.de
“Standing applause and cheers for a world star in Hamburg: The American actor John Malkovich (70, "Dangerous Loves") celebrated a successful German premiere on Saturday in the sold-out Thalia Theater with the international production "In The Solitude Of Cotton Fields".”
— Hamburg (dpa) news channel
“In short, razor-sharp scenes, most of which are projected live, we wander by the hand of these actors, we wander through an imposing language construction. <…> Malkovich, with his furrowed countenance and slightly squinting eyes, is the ideal interpreter of this tormented, broken man. With his lingering voice, he creates a mercilessly lonely character consumed by faulty feelings..”
— Heln Janssen, Volkskrant
“Overall, the team that created the show we saw on the Roof is incredible. Malkovich's co-star is the Lithuanian Ingeborga Dapkunaite, a great actress who has worked with Malkovich more than ten times, a fact that is clearly reflected in their communication on stage.<…> You come out stunned, with your whole heart broken: an almost choreographed masterpiece, with a sound canvas that followed you for hours afterwards, going straight to the essence of the Chekhovian universe: a true reference performance.”
— elculture.gr
“Two actors of global scope, with an amazing film and theater career, one of the most influential playwrights of the last century, one of the most important works of the modern theater, a director of the younger generation who makes a sensation on the European stages.”
— digitalculture.gov.gr
“John Malkovich is not the Oscar-winning star of the big screen, although at some, very few moments, you think you recognize the lilting voice of the Viscount de Valmont, velvety like a well-hidden threat. He is a master of the scene, even when he is on the floor, unhinged by his own demons, with Ingeborga Dapkunaite complementing him perfectly, as adversary, abuser, victim, partner, as his other self. The 70 minutes go by like water, and when you leave, you're not sure of anything at all—except that this was a theatrical experience you'll remember forever.”
— Marina Tsiklitira, real.gr
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