In The Solitude of The Cotton Fields

A deal is a commercial transaction concerning goods that are prohibited or otherwise strictly controlled. Deals take place in neutral and undefined spaces -- spaces not meant for such transactions -- between those who have and those who seek, by tacit understanding, by agreed upon signals, by innuendo -- at any time, day or night, other than the hours when duly licensed businesses are open, but, rather, when such commerce has shut its doors. The goal is to avoid the risks of betrayal and scamming frequent in such deals.

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A deal is a commercial transaction concerning goods that are prohibited or otherwise strictly controlled. Deals take place in neutral and undefined spaces -- spaces not meant for such transactions -- between those who have and those who seek, by tacit understanding, by agreed upon signals, by innuendo -- at any time, day or night, other than the hours when duly licensed businesses are open, but, rather, when such commerce has shut its doors. The goal is to avoid the risks of betrayal and scamming frequent in such deals.

“

So let me propose equality. For a jacket in the dust, I’ll pay with a jacket in the dust. Let us be equals, equal in pride, equal in powerlessness, equally unarmed, equally suffering. I’ll pay for your half nakedness, your half humiliation, with half of mine.

— The Client

«There are no rules; there are only means; there are only weapons.»

— The Dealer

About

The famous play by Bernard Marie Koltes was written in 1985. The given circumstances are strange. Two people meet in a dark cross street, one is the "seller", the other is the "buyer". The seller is trying to sell the buyer something that he has to tell himself. However, the buyer does not want to call this object by name and refuses the transaction in any way. The play is their argument, the confrontation of these two people, expressed in a play of words and meanings.

Koltes' text is very dense, verbose, full of allusions, poetic images and complex twists. The author seems to be trying to confuse the viewer rather than help them understand the conflict. It is not immediately clear to the viewer (like the reader, perhaps after reading the text only once) that the object of the trade is sexual lust. Since both characters are male, we understand that this is a homoerotic play. And both men must confess their lust. However, neither one nor the other wants to call things by their real names, they talk in circles, and it becomes clear to us that this dispute will not be resolved. Today, the topic of forbidden, unspoken, but irresistible lust must be revealed in a different way.

Our show is about sexual perversion, about a hidden desire that is punishable, recognized as criminal by any society, but already according to today's laws. There are two actors in our show - Ingeborga Dapkūnaite and John Malković, but not two characters. We are in the subconscious, in someone's nightmare, and he is not physically on the stage. He lives in terrible internal disharmony because he has realized that his sexual desire is criminal. But that's his nature and he can't fight it. He wants to admit it to himself, but he can't, because it is both scary and dangerous. We are in a man who endlessly struggles with himself. It is a projection of his consciousness, a nightmare in which he is constantly trying to come to terms with himself. Therefore, he comes up with these two himself, the seller and the buyer. Two entities are fighting. The further we go, the better we understand what the story is about. The actors will change roles during the performance. And after a while we will realize that it is a person's inner monologue that breaks down into a dialogue. It is the last dialogue before the tragedy…

The idea is implemented using rather complex technical support. In addition to the actors, the performance involves five videographers who work online. Therefore, the performance is supposed to be very spectacular - with video effects, with close-ups of actors' faces.

— Timofey Kulyabin

Duration: 1h 10min

Language: English

Premiere took place in Riga, Latvia on May 28th, 2022.

co-produced with

The cotton fields are only mentioned once in the famous play by Bernard-Marie Coltes. In France, and in Europe in general, cotton does not grow, perhaps Coltes saw such fields in Mexico during his last trip in his life - in 1989, upon returning to Paris, he died of AIDS. And these endless deathly pale white fields, merging on the horizon with white clouds, became for him a symbol of human loneliness and longing. A beautiful image - and a strange play without action, consisting of endless conversations as if about nothing, going back to the tradition of existential French drama, which is not very much in demand by modern theater.

— Nina Agisheva, “In the fields of death and misery”

Cast

Ingeborga Dapkunaite
Photo credit: Instagram

Ingeborga Dapkunaite is an internationally renowned, London-based, Lithuanian actress. She has played numerous leading parts in film, television and theatre.
She starred in ‘Burned by the Sun’ by Nikita Mikhalkov (Oscar for Best Foreign Film, Grand Prix de Jury at Cannes FF),
‘Katia Ismailova’ by Valery Todorovsky (Best Actress Award at Geneva FF and Russian Film Academy Award),
also in Brian de Palma’s ‘Mission Impossible’, Jean-Jacque Annaud’s ‘Seven Years in Tibet’, Emily Young’s ‘Kiss of Life’(premiered at Cannes FF), Stéphane Voillet’s ‘25 Degrees of Winter’(Audience Award at Berlin FF), Christian Carion’s ‘D’Affaire ‘Fairwell’ and
‘Occupied’ Norwegian TV series amongst others.
Ingeborga’s theatre work includes productions around the world — ‘Slip of the Tongue’ opposite John Malkovich at Steppenwolf Theatre in Chicago and then in London’s West End, ‘Libra’, directed by John Malkovich at Steppenwolf, ‘Cloaca’ directed by Kevin Spacey at the Old Vic in London, World Tour with Giacomo Variations, leading roles in productions of Moscow Theatre of Nations from 2013 till 2022.
John Malkovich
Photo credit: Swiss GART GmbH

An American stage and film actor, as well as a director, producer, and fashion designer, John Malkovich has appeared in more than seventy films throughout his career. He also is the holder of twenty-five award wins and twenty-six nominations, and his career stretches back nearly three decades and has included everything from the acclaimed period drama Dangerous Liaisons (1988) to action thrillers In the Line of Fire (1993), Con Air (1997), and the Red film franchise to Spike Jonze’s Being John Malkovich (1999).
Known for his achievements as an actor, producer, director, and writer, John Malkovich continues to win prestigious awards worldwide, including a News and Documentary Emmy Award in 2010, a special prize at the Moscow International Film Festival in 2011 for his contribution to the world of cinema, and an Independent Spirit Award in 2013. He also was presented with the Golden Eye Award at the Zurich International Film Festival in 2014 for lifetime achievement.

The team

Timofey Kulyabin
Director
Roman Dolzhanskiy
Dramaturg
Photo credit: Gleb Kuznetsov
Oleg Golovko
Stage Designer

Photo credit: Olga Matveeva
Alexander Lobanov
Video Designer
Timofei Pastukhov
Sound Designer
Photo credit: Vladimir Saraev
Vladimir Burtsev
Director of photography
Photo credit: Rafael Hairetdinov
Anastasia Zhuravleva
Video production
Photo credit: Frol Podlesniy
Oskars Paulins
Lighting Designer
Anna Abalikhina
Choreographer
Photo credit: Olimpia Orlova
Ekaterina Yakimova
General Producer and Head of International Relations
Irina Paradnaya
Executive Producer and Administrative Director
Photo credit: Polina Ermolaeva
Yara Ziva-Chernova
Line producer